presenta:

 Martin Brauen
 MANDALA
 
SACRED CIRCLE IN TIBETAN BUDDHISM

  Mandala Plate of Buddha Amitayus Mandala

  


 
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Mandala Plate of Buddha Amitayus Mandala
Tibet; 19th century
Pigments on cloth, mounted on wood
12 ¼ x 12 ¼ x 1 ½ in. (31.11 x 31.11 x 3.81 cm)
© Rubin Museum of Art, New York
F1997.36.2 (HAR 553)
(page 14)
Mandala of Buddha Śākyamuni and the Sixteen Arhats
China or Mongolia; 1700-1900
Ground mineral pigments on cotton
14 ½ x 14 ¾ in. (36.8 x 37.5 cm)
© Rubin Museum of Art, New York
C2006.270 (HAR 420)
(pages 38/39)
Two Mandalas with Fettered Effigies
Central Tibet, Lhasa (?); ca. 1665
Ink and pigments on paper
2 pages, 6 ¼ x 17 in. (15.9 x 43.2 cm) each
© Thomas Isenberg
TC 381 No. 34
(page 51)
Wall paintings in Punakha Dzong, Bhutan:
Left, Abhidharmakośa cosmos; right,Wheel of Life
© Martin Brauen, 1982
 
(page 95)
Buddha Ratnasambhava with Wealth Deities
South Central Tibet; first half of the 14th century
Pigments on cloth
31 x 25 ½ in. (78.7 x 63.8 cm)
© Rubin Museum of Art, New York
C2005.16.39 (HAR 65462)
 
(page 104)
Mañjuśrī Mandala
Ngor Monastery, Tibet; ca. 1430
Pigments on cloth
32 ¼ x 29 in. (81.9 x 73.7 cm)
© Rubin Museum of Art, New York
C2007.6.1 (HAR 81826)
(page 120)
Mandala plate of Vajrayoginī According to the System of Eleven Yogas
Tibet; 18th century
Pigments on wood
11 ¾ x 11 ¾ in. (29.8 x 29.8 com)
© Rubin Museum of Art, New York
C2005.66.283 (HAR 654)
 
(page 132)
Nine-deity Mandala of Śrī Hevajra
Tibet; 17th century
Pigments on cloth
10 ¼ x 8 in. (26 x 20.3 cm)
© Rubin Museum of Art, New York
C2002.22.1 (HAR 65115)
 
(page 149)
Canopy, Mahākāla Yantra
Tibet; 18th-19th century
Pigments on cloth
24 ½ x 20 ½ in. (62.2 x 52.1 cm)
© Rubin Museum of Art, New York
C2006.66.509 (HAR 977)
 
(right) Ritual Hammer
China; Ming dynasty, Yongle period; 1403-1424
Iron, gold, and silver
3 7/8 x 15 7/8 x 1 1/8 in. (9.8 x 40.3 x 4.8 cm)
© Rubin Museum of Art, New York
C2005.16.7 (HAR 65429)


(left) Phurba
Tibet; ca. 17th century
Iron and gilt brass
13 x 2 in. (33 x 5.1 cm)
Rubin Museum of Art, New York
C2005.16.66 (HAR 65489)
Drawing the Manala

The Vajra Master (Dalai Lama) draws the first lines with a white cord with moistened chalk.
© Peter Nebel, Doro Röthlisberger, and Martin Brauen

Completed Kālacakra Mandala.
© Peter Nebel, Doro Röthlisberger, and Martin Brauen

Nine-deity Amitayus Lotus Mandala
Central Tibet; 14th –15th century
Metalwork
10 x 8 x 7 in. (25.4 x 20.3 x 17.8 cm)
closed: 10 ½ x 4 ½ x 4 ½ in. (26.7 x 11.4 x 11.4 cm)
© Rubin Museum of Art, New York
C2003.13.1 (HAR 65215)

The two integrative parts of the mandala are the mandala

Nine-deity Amitayus Lotus Mandala
Central Tibet; 14th –15th century
Metalwork
10 x 8 x 7 in. (25.4 x 20.3 x 17.8 cm)
closed: 10 ½ x 4 ½ x 4 ½ in. (26.7 x 11.4 x 11.4 cm)
© Rubin Museum of Art, New York
C2003.13.1 (HAR 65215)

The two integrative parts of the mandala are the mandala

Nine-deity Amitayus Lotus Mandala
Central Tibet; 14th –15th century
Metalwork
10 x 8 x 7 in. (25.4 x 20.3 x 17.8 cm)
closed: 10 ½ x 4 ½ x 4 ½ in. (26.7 x 11.4 x 11.4 cm)
© Rubin Museum of Art, New York
C2003.13.1 (HAR 65215)

The two integrative parts of the mandala are the mandala

Mandala: Sacred Circle of Tibetan Buddhism
by Martin Brauen


264 pages,
23.5 x 28.5 cm,
171 illustrations
most in colour.
Hardcover with dust jacket.
Text in English.
ISBN 978-3-89790-305-0

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MANDALA
Sacred Circle in Tibetan Buddhism



Adhikara Art Gallery
updated 05.07.16




 

Adhikara Art Gallery
updated 05.07.16