Galleria Gottardo, Shimaoka Tatsutzo  

Techniques Not Used with Rope lmpressed lnlay.                                     

In his work that does not employ rope impressed inlay, Shimaoka often uses slip brushmarks as decoration. In this technique, a flat or round brush soaked in white slip is run quickly over the vessel's surface to leave striped strokes. As in whorls, the brushmarks can be assertive enough to be used by themselves, but in most cases, they are made more complex by adding one or two types of modifications. The variation of these modifications is
surprisingly rich and includes beating off the brushed white slip after it is applied, scraping the slip with fingers, running a comb over the slip, and adding iron glaze design and colours upon the slip. Shimaoka has favoured brushmark decoration since the earliest days and used it regularly over the years along with rope impressed inlay. This is because he finds brushmarks are -for him- basically not decorations, but it is a way of creating the vessel's body texture. Shimaoka has also produced some works that do not use either rope impressed inlay or slip brushmarks. But in these, too, the decorations are in white slip, in which he has made a variety of experiments. In the contrasting white spots and stripes on dark coloured body, white line decorations combined with design in iron glaze, and in the overall white slip with wax resist design and added colour -or that without any decoration- we can clearly see that this is a finish favoured by the artist. Shimaoka loves it as a material as the vessel's surface texture like brush- marks and rope impressed inlay, be he also holds a special respect for the elegance of its white surface, which probably originates from his long admiration of Korean Yi-dynasty pottery with its soft and quiet whiteness


Click here to enter the different descriptive sections of the exhibition.
Transparent Glaze.
Mixed Techniques.

Colouration.
Slip Dripping (Trailed Glaze).
Salt Glaze.
Kiln Effects.


TEXTClick here for reading the introductions.
Luca Patocchi, Curator of the Galleria Gottardo.
Adolf Zihler, collector.
Yanagi Sori, Message from the Japan Folk Crafts Museum, Tokio.
Bibliography
Biography and most important exibits from Shimaoka Tatsutzo  


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Shimaoka Tatsuzo

 

Adhikara Art Gallery
updated 31.01.23